Beginner
60 mins
Teacher/Student led
+75 XP
Pupils work on their own device

Welcome to Module 3: Communication in Media + Reading Journey Setup

You begin the new module by defining textual material across novels, posts, podcasts, films, articles and ads. You fill a Reading Journey Log with at least ten items from previous modules and summer, write Reflective Journal Entry 7, and speak one summer text aloud.

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    1 - Getting Started ~5 mins

    Welcome back. Module 3 is Communication in Media: how stories, news and ads are built for different audiences, and how you read them with a sharper eye.

    Four Key Assignments sit ahead this term: a reading-journey update, a three-channel coverage comparison, a real-scenario advertisement, and a film-and-text comparison. Today is setup, not a KA credit on its own. You start a Reading Journey Log and write Reflective Journal Entry 7 about what you met over the summer and what you want from this module. That work feeds the later reading-journey KA.

    2 - What a Good Entry Does ~7 mins

    Three terms you will use all term:

    TermWhat it means for youReal example
    Reading journeyYour log maps everything you have read, watched and listened to across two yearsA novel, three podcasts and a summer film listed together
    Textual materialPosts, ads and films count alongside books and articlesA bus-stop poster and a voice note both qualify
    Media landscapeModule 3 trains you to notice how each form works in an ordinary dayRadio in a car, a feed, a billboard before lunch

    A strong Entry 7 does four jobs. It names specific pieces, says what stuck, links back to earlier modules, and names one clear aim. Read this short model:

    Over the summer I listened to a three-part podcast about a county final I missed. I did not expect a sports podcast to feel like a story, but the host kept returning to one player who never got subbed on. That stuck with me more than the score. In Module 1 I stayed with the main text longer than I thought I would. In Module 2 I got better at checking who wrote a page before I trusted it. What I want from Module 3 is to see how the same news story changes when it moves from radio to a short video to a newspaper front page.

    Notice: named pieces, one honest reaction, a link to earlier work, and a concrete aim.

    3 - Look Back ~12 mins

    Before you write, gather what you already have. Rate each line on the page and name the evidence: a title, a module, a moment. A rating with nothing behind it does not count. Your ratings are not saved: when you finish, press Copy for my portfolio and paste them into the box below.

    What have you already engaged with?

    4 - Write Your Journal Entry ~24 mins

    This is the main piece today. Write Reflective Journal Entry 7 once in your Reflective Journal (that is its only home). Use the Think about list below as a planning scaffold. Then, on a new page at the back of the same journal, start your Reading Journey Log: at least ten items from Module 1, Module 2 and the summer. File a copy or photo of Entry 7 and the log in your Communication Portfolio as m3_l61_entry7_reading_log_<your-initials>.

    Think about for Entry 7 (write these in your journal):

    • Name specific summer pieces (titles and forms)
    • Say what stuck
    • Link back to Module 1 or 2 if you can
    • Name one clear aim for Module 3

    Aim for about 6–10 honest sentences. If your earlier record is thin or you joined mid-course, an honest shorter entry plus a solid ten-item log is enough. Titles from memory count; note gaps rather than inventing. Forms can be rough on the first pass (novel, podcast, film, post, ad, and so on).

    Optional only: if voice-to-text or a Portfolio paste helps, draft once on the page and copy that same text into your journal. Do not produce two full versions in class.

    Journal Entry 7 and your Reading Journey Log

    5 - Say It Out Loud ~7 mins

    Take one summer text from the entry you just wrote. Speak from your own notes to a partner: what it was, what stuck, and why it still matters to you now. Do not read the entry aloud. Everyone delivers to a partner; volunteers to the room only if time allows.

    Bank a short record in your Communication Portfolio as m3_l61_oral_summer_text_<your-initials>: your notes and who heard you. The transcript on the page is enough if no recording is kept.

    One summer text, spoken aloud

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