Intermediate
60 mins
Teacher/Student led
+70 XP
Pupils work on their own device

Advertisement Design Workshop, Part 1 (KA3: planning)

Plan your advertisement for a real school event by structuring it as a hook to grab attention, a body with the offer and a call to action. Select techniques suited to the brief and produce a labelled design plan.

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    1 - Getting Started ~5 mins

    Today you plan a real school advertisement. Use your scenario brief. If you do not have one yet, plan this stand-in today: a free Friday after-school study club in the library, open to all years, for students walking the corridor, who sign up at the library desk by Thursday. Catch up your real scenario with your teacher before the draft lesson.

    Key point

    You do not make the finished advertisement yet. A strong plan names three jobs: the hook that stops the eye, the body that carries the offer, and the CTA (call to action) that tells people what to do next. By the end you will have a labelled design plan in your Communication Portfolio as the working brief for the next draft lesson.

    2 - The Brief ~10 mins

    Every advertisement has three jobs. Name them before you design anything.

    TermWhat it means for youReal example
    Hook: the first thing that stops someone looking past your advertisement.Your opening line or image has one job: earn the next second of attention.A three-word corridor poster line that makes you slow down.
    Body: the middle that carries the offer, the details, or the reason to care.Name the event, the date, the place, and who it helps, without burying the point.Four short lines under a headline that answer what, when and why.
    CTA (call to action): the clear next step you want the audience to take.Tell them exactly what to do, and make it doable today.Tickets at the office, €5, before Friday.
    Worked example

    Worked plan (invented school fundraiser night):

    • Hook: "One night. Twelve acts. One cause." (repetition + spectacle)
    • Body: Friday 7pm, school hall. All money to the local food bank. Free entry for under-12s with an adult.
    • CTA: Tickets from the office, €5. Bring a friend.
    • Techniques chosen: lifestyle (the night-out feeling), repetition (one / one / one), clear CTA.
    • Why this shape: corridor poster, read at a glance from three metres.
    Watch out

    Weak plan (same night, same corridor):

    • Hook: "St Mary's College presents..." (just restates the school name)
    • Body: A long block about how hard the committee worked.
    • CTA: missing.

    Nobody stops. Nobody knows what to do next. That is why the three labels matter.

    3 - Make It ~25 mins

    Build your design plan on the canvas. Use your scenario brief: audience, call to action, and chosen medium. If you do not have one yet, plan the study-club stand-in from Getting Started.

    Place a hook that stops the eye, body text that carries the offer, and a CTA that names the next step. Note which advertising techniques you are using and why they suit this audience.

    Watch out

    Pictures come from the composer's own library; you cannot upload your own. Each one shows its licence: if it needs a credit, put the credit on the plan.

    Key point

    The canvas keeps your layout on this page, but the typed labelled plan in the box under it is what you file. Save or export it as m3_l79_design_plan_<your-initials>.txt into your Communication Portfolio. That is the file your teacher verifies.

    Making a short video, podcast ad or social carousel? Plan it the same way in the box. The canvas makes still designs only, so use it for your opening frame, or skip it for a podcast ad.

    Block out your advertisement plan

    4 - Hold It Up ~8 mins

    Read your own design plan once, then work down the list. Anything below the top level needs a specific comment. At the end, name the one change you will make before the next draft lesson.

    Check your design plan against the brief

    5 - Think About It ~5 mins

    Talk this through with the person beside you, or sit with it for a minute:

    • If someone walked past your plan at speed, which part would they catch first: hook, body, or CTA?
    • Would you still choose the same technique if the audience were parents instead of students, or the other way round?
    Tip

    The longer thinking can go in your Reflective Journal later if you want it there.

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